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Hanna Griffiths is known for championing high-integrity artists across multiple creative and production roles.
I Am The Night, TNT’s limited television series, takes a forbidding trip into one of Hollywood’s most nefarious chapters. Written by Sam Sheridan, was inspired by Fauna Hodel’s autobiography, One Day She'll Darken. The first two episodes, which established the show’s overall noir-esque look and feel, were directed by Patty Jenkins, with cinematographer Matthew Jensen ASC. Jensen selected KODAK VISION3 500T Color Negative Film 5219 and VISION3 250D Color Negative Film 5207 for the production.
The French Dispatch, from Director Wes Anderson, for Searchlight Pictures. Shot on Kodak 35mm color and B&W film stocks, by regular cinematographer Robert D. Yeoman ASC, Anderson’s next and highly-anticipated comedy. Yeoman shot The French Dispatch with ARRICAM ST and LT cameras, fitted with Cooke S4 prime lenses, supplemented with an occasional zoom, framing most of the action in Academy 1.37:1 aspect ratio. Read more
Tell Me Lies by Carola Lovering
Is a modern lustful thrilling novel about that one person who still haunts you.
Lucy Albright is far from her Long Island upbringing when she arrives on the campus of her small California college and happy to be hundreds of miles from her mother, whom she’s never forgiven for an act of betrayal in her early teen years. Quickly grasping at her fresh start, Lucy embraces college life and all it has to offer. And then she meets Stephen DeMarco. Charming. Attractive. Complicated. Devastating. Read more